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Philippe de Champaigne
The Ex-Voto of 1662
1662
Musee du Louvre, Paris
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Philippe de Champaigne
The Miracles of the Penitant St.Mary
1656
Musee du Louvre, Paris
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Philippe de Champaigne
The Aldermen of the City of Paris
1648
Musee du Louvre, Paris
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Philippe de Champaigne
Portrait of a Man _5
1650
Musee du Louvre, Paris
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Philippe de Champaigne
Portrait of Robert Arnauld d'Andilly
Musee du Louvre, Paris
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Philippe de Champaigne
The Dead Christ
Musee du Louvre, Paris
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Philippe de Champaigne
Cardinal Richelieu
Musee du Louvre, Paris
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Philippe de Champaigne
The Last Supper 2
Musee du Louvre, Paris
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Philippe de Champaigne
Triple Portrait of Richelieu
The National Gallery, London
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Philippe de Champaigne
Moses with the Ten Commandments
The Hermitage, St.Petersburg
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Philippe de Champaigne
The Nativity
1643
Musee des Beaux Arts, Lille
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Philippe de Champaigne
Jean Baptiste Colbert
Metropolitan Museum of Art, New York
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Philippe de Champaigne
The Marriage of the Virgin
c. 1644
Oil on panel, 71,5 x 143,5 cm
Wallace Collection, London
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Philippe de Champaigne
Portrait of a Man (mk05)
Canvas 36 x 28 1/4''(91 x 72 cm)Acquired in 1806
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Philippe de Champaigne
The Dead Christ (mk05)
Wood 27 x 77 1/2''(68 x 197 cm)Painted for the Abbey of Port-Royal des Champs Transferred to Port-Royal in Paris in 1710;seized in the Revolution INV
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Philippe de Champaigne
The Miracles of the Penitent St Mary (mk05)
Canvas 86 1/4 x 132 1/4''(219 x 336 cm)Painted in 1656 for the apartment of Anne of Austria in the Val-de-Grace Paris Seized in the Revolution INV
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Philippe de Champaigne
Portrait of Robert Arnauld d'Andilly (mk05)
Canvas 31 x 25 1/2(79 x 65 cm)Given in 1979
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Philippe de Champaigne
Cardinal Richelieu (mk05)
Canvas,87 1/2 x 100 1/2''(222 x 255 cm)Collection of the Duc de Penthievre at the Hotel de Toulouse,Paris;seized in the Revolution INV
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Philippe de Champaigne
La Petite Cene (The Last Supper) (san 05)
Canvas 31 1/2 x 58 1/2''(80 x 149 cm)Collection of Louis XVI;acquired by the Louvre in 1777 INV 1125 (MN)
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Philippe de Champaigne
Ex Voto (mk08)
1662
Oil on canvas,
165x229cm
Paris,Musee National du Louvre
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| Philippe de Champaigne
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1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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